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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond in Leeds in 1977

The talented musician, a key member of the groundbreaking 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo scored a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of synth-pop.

He subsequently formed the pioneering techno group The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, just weeks after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that show, Ball performed in a mobility chair, as he had for the last two years, following a spate of health issues.

"I ended up damage myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my back and fractured about multiple ribs and fractured my arm."

After contracting a lung infection and developing sepsis, he was placed in an induced coma and stayed in the hospital for seven months.

Nevertheless, he had been in "a great place emotionally" over the warmer months, as he was developing a new album with Almond, called Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and so happy with the latest project that we actually finished only a short time ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive time for him, and I find comfort from the fact that he listened to the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond referred to his bandmate as "an exceptionally talented musical genius", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant aspect of my life and for the music you gave me. I couldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is different from joining a group, the connection is very tight," he added.
"That's how it was with us. We experienced so many remarkable, incredible, memorable moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Early Life

Born into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was 18 months old.

He was raised in Blackpool with adoptive parents his caregivers, who altered his given name from his birth name to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both studying fine arts. Fuelled by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly recorded an EP.

Creative Collaboration

The duo were an unusual pairing: Ball was the quiet technician, hunched over his synthesizer, while Almond was a flamboyant performer, all sparkle and eye-liner; but they achieved a rare creative synergy.

Ball had cultivated a interest with synthesizers after watching the band Kraftwerk appear on BBC program Tomorrow's World, and started to combine dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular song of the early 80s, shifting 21 million copies globally. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it contributed to paved the way for the synth-pop sound of the 80s.

The song was also featured on their full-length debut, their initial LP, which produced two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were working on new material right up until Ball's passing

Career Highlights

Fame had its upsides. "I enjoyed being able to purchase my first home, having financial security and travelling, which makes me sound like a Miss World," Ball recently shared with a publication.

But it also caused challenges. "Sudden riches allowed we could afford newfound drugs to alleviate the monotony" of media interviews and TV performances, Ball explained.

"I know that's a cliché, but it's a truism for a valid cause, because it works for so many bands."

Amidst the party-filled existence, the duo were also drifting apart, but they succeeded to produce a follow-up classic album - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released another album, 1984's This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond proceeded to have a prosperous solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with ambient pop over a enduring collaboration.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, producing the Top 40 album Cruelty Without Beauty.

After another hiatus, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on September 30, that year.

Yet, they stayed active, creating their latest project, Happiness Not Included, during the 2020 restrictions.

Ball recently characterized the band's new album as a tribute to the New York club scene they frequented while recording their initial records.

He added that his period in medical care had influenced the group's music.

"I experienced unusual memories when I was coming and going of hospital because I was on pain medication," he told a publication.
"The new songs are a electronic representation of the noises in my mind from that time.
"Simultaneously, it's about the times me and Marc got up to in the 1980s."

The last versions were finished only days before Ball passed away. It is scheduled for launch in the spring of 2026.

MA
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